Wond’ring Aloud

An acoustic gem about love and life – I do not know of another rock/pop song that accomplishes so much with so little. Clocking at less than two minutes, Anderson sings about the little pleasures and annoyances of companionship, asks the important questions and furnishes profound answers (especially in the very last line). Equally restrainedContinue reading “Wond’ring Aloud”

Mother Goose

A hundred schoolgirls sobbing into their handkerchiefs as one makes an indelible visual impression showcasing Anderson’s skill as a lyricist. Mother Goose is a pastiche of surrealism that punctuates the more serious content of the album. And, the music is fittingly amusing, capturing Mother Goose’s strutting across Hampstead Fair. Boy, does she find some funContinue reading “Mother Goose”

Cross-Eyed Mary

If there is one song that is quintessentially Tull, it is Cross-Eyed Mary for the sheer visceral response that it provokes. About a youthful prostitute and the men she satisfies, the song is wrong in every level. Yet, Anderson succeeds by making it an aesthetic representation of man’s ugly side. The unapologetically hard-rock orientation ofContinue reading “Cross-Eyed Mary”

Aqualung – The Song

Ta-da da-da daa da! The six-note opening motif and the matching phrasing of the lyrics (Sitting on a park bench….) occupy an exalted position in rock music, much like the famous four-note motif in Beethoven’s Fifth. Ian Anderson talks about creating the main riff in a hotel room in New York City and playing itContinue reading “Aqualung – The Song”

Aqualung – The Album

This year (2021) marks the 50 year anniversary of the release of Aqualung! It is with trepidation that any fervent fan would approach writing about the album. On the one hand, we are faced with objectively describing what we consider as perfection in rock music and, on the other hand, we have to find somethingContinue reading “Aqualung – The Album”

The Witch’s Promise

The Witch’s Promise is a single recorded in Dec 1969 and released in January 1970—between the Stand Up and Benefit albums. It is the first recording to feature John Evan as a session musician, prior to his role in the Benefit album and the ensuing tour, which subsequently led to his joining the band asContinue reading “The Witch’s Promise”